The site aim is to update you with all the latest news, photos and media concerning Jenna's career. Take a look around and enjoy your stay! If you have any questions, concerns or comments, then do not hesitate to get in touch with me.
Currently Filming Season 8. Will be released in autumn 2014.
I’m Clara Oswald. I’m the Impossible Girl. I was born to save the Doctor.
Doctor Who Family
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Online Since: April 30th, 2012
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Contact: @gmail • form • @jennacolemancom
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Updated the gallery adding even more pics from the Deep Breah promotion (New York Premiere and London photocall + screening with thanks to AliKat for some of the pics!), scans from Tv Guide (August 25 issue, thanks to Claudia!) and TV & Satellite Week (August 23-29 issue) and another outtake from the Peter and Jenna LA Times photoshoot!
Public Appearances > 2014 > August 22: Doctor Who “Deep Breath” Photocall in London [+61]
Public Appearances > 2014 > August 23: Doctor Who “Deep Breath” Screening in London [+36]
Magazine Scans & Clippings > TV & Satellite Week (23-29 August 2014) [+3]
Magazine Scans & Clippings > TV Guide (25 August 2014) [+6]
Photoshoots > Sessions from 2014 > Session 08 [+1]
Finally! I’ve been able to add in the gallery, HD screencaps of Doctor Who Season 8 Premiere Deep Breath. Enjoy them!
How were the first few days filming with Peter Capaldi?
I was really excited, but it’s always the thing of figuring out how it is that they work, and how it is that they like to work. And I also wanted to make sure I did everything I could to make Peter feel like he could try anything – a totally open relationship where he could do anything. Throw some balls up in the air and see what lands.
And that’s a lot of the stuff we talked about, because I wanted him to feel at home as soon as possible, and in ownership of it as soon as possible. I think it’s a very weird show in the sense that Peter joined by literally walking onto the TARDIS and meeting Matt, swapping watches and then the scene carries on and Matt’s gone and now suddenly it’s exactly the same scene and it’s Peter.
So I think Peter didn’t need any advice. He’s brilliant and he was always going to come in and be his own Doctor and make his own mark and change the show, which is exactly what he has done. So I think my part was to just make it as easy as possible for him to do that.
There is a whole new tone with the new Doctor, even if it was mainly the same crew behind the cameras. Did it feel different on set?
The format was very different, especially with the individual scenes. We tried this new thing where the scenes were a lot longer, and let things really play out. So there is a restaurant scene, and I don’t think we’ve ever done a scene in Doctor Who where we’ve sat down having a chat. In Doctor Who you’re always running down corridors and trying to have a conversation whilst on the run or whilst something is in front of you or behind you. So to actually do that was quite new.
I think the show has always been confident like that. But I think it was very much about trying a new pace and a new tone, and that’s what it felt like. Matt’s style was more rocking and rolling a bit more, I think. But this year feels fiercer I think. It’s more of a ferocity about it.
Cult British director Ben Wheatley was at the helm for the the first two episodes. Did he have much to do with that new tone?
I love the sense of dread and the danger he brings to it. Things like when Clara gets locked in the restaurant and the Doctor walks off. And then you’re like who is this guy, and that’s a real shocker and that is something we experiment with throughout the series.
So with this relationship, the Doctor is not an easy man to get on with, he’s not an easy man to be around. And there is doubt, even with this great history they have.
You’ve now been playing Clara for the past two years. Are you feeling more comfortable in the role?
It’s become something else. Because in the first series with Matt, there was always this secret in the middle of them, and the enigma that kinda prevented them from just being the Doctor and his companion. There was always something else going on. More second guessing.
In a way, once that was solved, it was really nice to move on somewhere else, and just explore the friendship, I think, rather than the suspicion.
And now it’s getting to know this Doctor, all over again. It’s weird, it’s kind of the degree of starting again, and it is a very different thing. A lot of people ask me to compare Matt and Peter and you can’t. It’s just different. It’s a different dynamic. It feels like we’re making a new show.
But within that, you’ve got so much history, so they’re deeply bound to one another, but there is just this element of ‘Hello, I’m the Doctor, nice to meet you” and “Hello, I’m Clara, okay, this is really weird because we’re best friends, but let’s get to know each other all over again.”
Peter has it a little easier in that he’s only being compared to eleven other Doctors, but you’re being judged by the standard of dozens of the Doctor’s other companions. Is there any pressure from that?
It’s difficult, isn’t it? When I first got the job, I didn’t go back and look at Karen’s stuff. I just didn’t want to pick up on anything at all, and it seemed to work in the audition. And that was quite good in a way, because I couldn’t be watching the people who got me here and think ‘Oh God, they’re so brilliant’.
Since getting the first series under my belt I’ve gone back and watched them all since Christopher Eccleston, and Billie and Catherine Tate as well. During Day of the Doctor me and Billie would go and get Nandos together, and we had Billie and John Hurt and David, and it was really nice to have them, because normally it’s just you and the Doctor. So it was kind of nice to have an ensemble around, with the three Doctors. I loved doing scenes with those three, I was just in my element.
Added in the gallery, the first promotional picture and production stills of Doctor Who 8×02 Into the Dalek. Enjoy!
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